Raymond Bianchi (Chicago, USA): Seven Poems


splendid photographs by Leni Riefenstahl, the most ravishing book of photographs published anywhere. Leni is a nice looking woman and did not let anyone get in her way.

Winners are winners and losers are losers that is reality.

Deep in the mountains of the southern Bolivia about eight thousand aloof godlike Inka emblems of physical perfection with large, well‑shaped, polleras, expressive faces, and muscular bodies are wrenched walking in broken rocks blood mixed with dust.

Their hands are bent with imperishable beauty.

Donald Rumsfeld is more metallic and healthier‑looking with a side salad. il forte vento bracing with salt and broken bones.

deceit in America
allow people to sit in their
own urine and die of asphyxiation.

Galileo Galilei will do more to increase our strength;

Crusades “Deus Lo Volt “
Le piogge sono frequenti soprattutto
the engines of creation digging

the foundation for your pool and your tennis court oath.


“Costly Cult of cloves” Dante’s inferno, Canto XXiX

Extras include an interview with Polanski, a Beer Garden the oddest examples of a celebrity interview I have ever seen. In between his off color comments

Polanski swings a baseball bat and swings for the fences

Saddam Hussein was too valued a target to be caught in a mere bolthole and too rare a beast to be holed up with rats. General Ricardo Sanchez announced Saddam's capture to the world reporters learnt the deposed Iraqi dictator had been sprung from a sinister-sounding "spider hole". An online unofficial US Marine Corps dictionary defines spider hole as "an enemy fighting hole” always the sinister is well hidden",

Some say we are alive in form to become more loving and to grow spiritually, to achieve Nirvana in the here and now. I agree. I looked at what the reductionists had produced, it saw that nothing uniquely artistic had survived. Collectively, the leading members of the art world had decided that art has no content, that it has no special media or techniques, and that the artist has no crucial role in the process. Art became a statement of nothingness. The summary conclusion was announced, infamously, by Marcel Duchamp. Asked to submit something for display in 1917, Duchamp sent a urinal. Duchamp of course knew the history of art.

Boots rotted in the trenches


commercial enterprise with formal institutions.

Compare and contrast two dominant domains in contemporary society: commerce and government which are governed by what are called economics and morality.

The artist takes significant experiences and thoughts as raw material and creates a physical embodiment for them. Each artist makes independent judgments about which of his experiences and thoughts are significant. He has awesome power to exalt the senses, the intellects, and the passions of those who experience it. Those individuals who over the centuries accept art's calling developed it into a vehicle that called upon the highest insights of the human creative vision and painted nudes and large breasts on cave ceilings.

The names that evoke in us a sense of greatness - Leonardo, Michelangelo, Raphael, Rembrandt, Vermeer. Their achievements created the status of the artist as not merely a visionary or a craftsman, but as a special individual in whom both vision and craft are integrated and heightened. The art world's symptoms of decline part of the intellectual world's slipping into a sense that progress, beauty, optimism,

A sense of decline increasing naturalism of the century led, to a feeling of being alone without guidance in an, empty room. The spread of liberalism and free markets caused their opponents on the political left, members of the artistic avant garde, to see political developments as a series of deep disappointments. And the technological revolutions spurred by the combination of science and capitalism led many to project a future in which mankind would be dehumanized or destroyed by the very machines that were supposed to improve their lives.


An intellectual’s world is a sense of disquiet a anxiety. Artists respond, exploring in their works the implications of a world in which reason, order, certainty, dignity, and optimism seemed to have disappeared. The works that are the iconic pieces of twentieth century art express the minds of the great names that created them. Modern art is Pablo Picasso's fractured world populated by vacant-eyed, disjointed beings. Edward Hopper's “nighthawks” and women in bland, worn settings. It is the death dance of Jackson Pollock. It is Salvador Dali's soft world in which the distinction between subjective dream states and objective reality is obliterated. It is Andy Warhol's smirking trivialization and mechanical reproductions. It is a reality that is captured presciently in Edvard Munch's The Scream, the horror of being a cipher in a world of hideously swirling near-formless forms. The twentieth-century world was the story of fresh packaging and garbage, tons of garage.

Postmodern world is filled with numbness, Stepford wives, beeping of digital things, smells that are akin to Pine Sol and avoidance of pain.

Horror is not allowed.


Advances incorporate planning processes- elimination of error
basic to all life. the planned advance small dominant
new knowledge required errors must advance is large
research and invention, the elimination of
justifiable public utilization of more deceit to increase our strength.
Deceit clowns in technology ancient confusion magic and science.
communications laymen Magic depends on progress.

For Johannes Kepler

The "educated" public and the media have not adequately understood this profound difference between magic and science. This important failure in our educational system is one source of the lack of general appreciation of the power of deceit as a source of strength. A more general understanding of the power of science would bolster our faith that open societies continue to be fittest to survive.

Deceit is necessary for the processes of trial and the elimination of error,

Johannes Kepler’s beautiful description of the mechanism of progress in science. Try to understand what happens to each of these secret processes a project we can shed some light on how the peacetime military was able to justly acquire its reputation for resistance to novelty.

Kepler’s language means receptivity to the unexpected conjecture.

There is the tradition of the young outsider challenging conventional wisdom. Such a victory is almost impossible in a hierarchical structure like the Catholic Church or the American corporation how else do you explain the growth of the internet or Protestantism.

The usual way a new idea can be heard is for it to be sold first outside the hierarchy but usually prophets are burned alive as much today as in the 12th century.

Impediments to the elimination of errors will determine the pace of progress in science as they do in many other matters. Many are comfortable with the Gestapo or the Cheka as long as they are not going
to the gulag,

ignorance is comfortable.


“se quella con ch’io parlo non si secca”
Dante Inferno, Canto XXXII verse 135

Fitness to survive and to reproduce is the law of the international jungle. The strength of the weapon of deceit has been tested and proven in battle and in imitation.

Technology developed most vigorously in the industrial revolution, and those places, Western Europe and America, where the greatest deceit existed. Lies, Lies, Lies.

Peter the Great brought lies to Russia.

Clowns and surprise are clearly essential weapons of business and that even countries like the U.S have made frequent efforts to use deceit as a weapon.

This poem is concerned with the impact of deceit culture, rewards are dependent on superiors. Reward through love has been remarkably successful in stimulating independent thinking.

However, in assessing deceit a clown policy those who "get ahead" in the culture of clowns understand its uses for personal advancement. Knowledge is power, and for many insiders access to classified information is the chief source of their power. It is not surprising that clowns see the publication of technological information as endangering national security.

© Raymond Bianchi 2007