Kelley White (New Hampshire, USA): Two Poems
ART OF THE AMERICAS
i.
unhook the latch
blow off dust
lay on the table beneath a single dangling bulb
spine flat
slick leaves open
always to the tight black-lined woodcut
man on man
manu a manu
knife
blade
empty chest
heart beating overhead
ii.
It is said that Crazy Horse ate Custer’s heart.
This is not true. Buffalo liver, perhaps.
iii.
pyramid
disinhearted
throw the rib-shell over the priest’s shoulder
iv.
abyss
v.
this thing
this flabby old muscle
stilled
red and growing darker
fat encrusted
drying to tallow
gristle
in each chamber
one smooth green stone
marbled
like my eyes
vi.
ice arrest
watch
the saw cut
that grinding buzz
the dental whine
vii.
“hey babe,
I’ll give you water,
I already had
my wine”
(wants a dollar,
give him four bits)
viii.
you won’t answer
(the child had
no ear drum)
ix.
Henry carved a green stone heart
on a brass stand and marble base.
The children broke it.
No one confessed.
They were all punished.
x.
finger crook-and-pull
my own ribs
and still this hubbub
xi.
to become invisible
or rather:
the visible woman
clear plastic
head molded with Berry Crocker
hair
hips a little wide, perhaps
a babe in the womb
no
xii.
ectopia coridis
child with the heart
outside the chest
cordae
cordate
card
iac arrest
press
chest
repressed
xiii.
I will be this small stone you might carry,
the brass paperweight that warms
to your touch,
your mother’s, yours.
Replace my wound
with a stone.
Carry the stone.
Live stone
cold.
WHELK
in the city of sand
we build bone houses
we fear the wind
--it stings our eyes
with broken
monuments—
in the city of snow we shelter
in frozen breath—
in the salt city
we live inside our wounds
--we wait for the tongue
of our heavy god—
© Kelley White 2009
i.
unhook the latch
blow off dust
lay on the table beneath a single dangling bulb
spine flat
slick leaves open
always to the tight black-lined woodcut
man on man
manu a manu
knife
blade
empty chest
heart beating overhead
ii.
It is said that Crazy Horse ate Custer’s heart.
This is not true. Buffalo liver, perhaps.
iii.
pyramid
disinhearted
throw the rib-shell over the priest’s shoulder
iv.
abyss
v.
this thing
this flabby old muscle
stilled
red and growing darker
fat encrusted
drying to tallow
gristle
in each chamber
one smooth green stone
marbled
like my eyes
vi.
ice arrest
watch
the saw cut
that grinding buzz
the dental whine
vii.
“hey babe,
I’ll give you water,
I already had
my wine”
(wants a dollar,
give him four bits)
viii.
you won’t answer
(the child had
no ear drum)
ix.
Henry carved a green stone heart
on a brass stand and marble base.
The children broke it.
No one confessed.
They were all punished.
x.
finger crook-and-pull
my own ribs
and still this hubbub
xi.
to become invisible
or rather:
the visible woman
clear plastic
head molded with Berry Crocker
hair
hips a little wide, perhaps
a babe in the womb
no
xii.
ectopia coridis
child with the heart
outside the chest
cordae
cordate
card
iac arrest
press
chest
repressed
xiii.
I will be this small stone you might carry,
the brass paperweight that warms
to your touch,
your mother’s, yours.
Replace my wound
with a stone.
Carry the stone.
Live stone
cold.
WHELK
in the city of sand
we build bone houses
we fear the wind
--it stings our eyes
with broken
monuments—
in the city of snow we shelter
in frozen breath—
in the salt city
we live inside our wounds
--we wait for the tongue
of our heavy god—
© Kelley White 2009
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