Adam Fieled (editor, Philadelphia, USA): "On A Marriage"

I.

Fish, fish tank ricocheted through my skull
    as I lay on the thin, tough-skinned, scrappy
grey couch. What was in the next room stank, unhappy
    yokels knowing I’d trespassed past the full
load I’d dumped on them. They wouldn’t let us
    sleep together; Jen slept in a room with her sister,
       as I tossed, poison-brained, through several blistering
nights in the Harrisburg ‘burbs— cornfields, husks
     staring fish-eyed at the bizarre married couple.
        She was hollowed out around corn, body doubled.
 
If I only I knew what to ask her then: “Jen,
    I need to know if this is real. I need to know, also,
if there’s something in you I do not or cannot know,
    if you’re really my wife (whom I love), trusted friend?”
But I flailed away in Liverpool’s darkness, silence-tied,
     & I hadn’t seen or known the inside of a trailer before,
           Jennifer had known little else, & I hadn’t known this war,
but force in our bodies engendered a tornado’d sky,
     force in our souls lay dormant. Grandfather clock shone five.
        Window showed black husks thrust upwards, moon alive.
 
About the doubling of Jen’s body, I knew nothing.
    About the way she’d trotted out before me, emerging
from a kind of mist, lean, tow-headed, urgent
     about preserving roots I hadn’t seen, something
lascivious branded us blackly, gradually, as though
     I should know all there was to know, like this
        trailer— scarecrow fronted, ragged, just drips
from the shower spout, Jen a trailer princess, no
    way to see beneath arable land’s surface,
       no scheme to pull back a secret temple’s curtains.
    
II.

Five floors up on the elevator: I was too
    thin, almost collapsed from humidity outside,
but Jennifer, the knowledge of her insides,
     held me up, with luggage we carried through.
Why the compulsion was there, prodded us
     into instant betrayal, I cannot say or know now—
         clothes got piled sloppily, hotly, on a rug, brown
as always at the Atherton Hilton, clean, fussed
      for breaking, entering, conventioneers, academics,
           now two incredibly horny, moody adolescents.

 Soon, the room was a desert island, the bed a sand-dune.
     We were washed ashore after fucking, over & over.
 No one in history had been so marooned with a lover.
      Every time I touched her, I risked rousing a monsoon.
Wave after wave broke, entered. We didn’t exist
      except as pistons in a tropical engine. Glasses of water,
          occasional baths, a little TV, body-boundaries slaughtered,
so that when we hit the Arts Fest, it didn’t resist.
     My brain had spokes spinning the wrong way, but
         she took the Pandora’s Box & nailed it shut.
 
What was backed up for her: everything, nothing.
    I had no yen for anything but to survive. Nights there
were like days. We never had leave to figure out where
     we were. Tunnels spiraled down & up: something
heaved, out in the world. Someone under the bed
     seemed to be nudging us; maybe how we’d been
         reduced to carnage. Being in her: what I was in
was sheets rumpled, no maid, dementia in the head.
      We ate nothing: crackers, occasional food on College Ave.
          Once I spun to McLanahan’s: lines crazy, bodies mad.
 
What kind of marriage could be born from this?
    Justice of the Peace be damned, only two kids on fire
for each other, from a place not without depth, kissed
    by strange fate into each other, hard-wired
to memorize only two-in-one harmony, could know
    or see, as we wrestled only to fall deeper into space
        held together not at all, spiraling into boundlessness—
fragile, evanescent, bloody-minded into callousness
       against the loveless, timid hordes, not ready to face
           anything but this— we could only be there, then go—
 
 © Adam Fieled 2021